Philippe Hersant
Diskografie
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1991
Dutilleux: Quatuor à cordes "Ainsi la nuit" / Hersant: Quatuor n°2 / Fénelon: "Onze inventions" pour quatuor à cordes
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2001
Le Château des Carpathes
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2002
Debussy / Jolivet / Messiaen / Dutilleux / Hersant / Dusapin / Tanguy / Varèse
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2004
Der Wanderer / Oeuvres chorales
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2006
Paysage avec ruines / Im fremden fand / Chants du sud / Missa brevis
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2006
Concerto nº 2 pour violoncelle et orchestre / Heathcliff, suite d'orchestre
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2013
Clair Obscur
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2013
Clairvaux: Instants limites
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2014
Vêpres de la Vierge Marie
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2015
Piano Works
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2015
The Tempest
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2016
Music for Bassoon
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2017
Songlines
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2018
Horizon(s)
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2019
Chic à la Française
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2019
Sous La Pluie De Feu / Funérailles
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2019
Solo
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2019
34 Duos ...
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2020
Blue Hour
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2020
Mnaomai
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2020
Dialogues
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2020
Rondes de nuit
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2021
Images éphémères
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2021
Marc-Antoine Charpentier / Philippe Hersant
Live, Kompilationen & Demos 1
Gezeigt wird eine Auswahl von 25 Veröffentlichungen. Vollständige Diskografie bei MusicBrainz
Beschreibung
Born in Rome on June 21st 1948, French composer Philippe Hersant studied at Paris Conservatory under Jolivet. Following this, he received bursaries to work at the Casa Velazquez, Madrid (1970-72) and the Villa Médici, Rome (1978-80). In 1973 he became a producer for Radio France. Over the course of his career, he has won many awards, including the Prix Arthur Honegger in (1994) and the Prix Maurice Ravel (1996), as well as three SACEM awards, including the Grand Prix de la Musique Symphonique (1998). He also acted as composer-in-residence for the Orchestra National de Lyon between 1998 and 2000.
A composer renowned for the originality of his imagination and lyricism, he has composed works in a wide variety of genres with this imagination and lyricism pervading through all of them. His works often have neo-Classical and neo-Baroque elements, making references to the styles of composers in the past. He is often noted for his talents in orchestration, with Myriam Soumagnac saying ‘he has developed a mastery of orchestration which is as apparent in his handling of the full orchestra as in his skilful and often original exploitations of specific instrumental groups’.
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